resume

This Mouse Will Make You Roar With Laughter
Holly Johnson, The Oregonian, October 3, 2006

"You'll remember Ryan long after all else is forgotten. Hers is a performance to shout about. She embodies the part, makes it bigger than it is, with an expression for every thought, word and deed. Trained as a clown, a natural mime and recently a member of Imago Theatre for three years, Ryan is amazing."

(click here to read the full review)


King Lear Thrills at Stuart Theatre
Brown Daily Herald Staff, March 9, 2001

"Kerry Silva plays both Cordelia and the fool. As Cordelia she is all that is required - stately and genuine. But as the fool she almost outdoes the part itself. Alternately ticking and trembling, she harnesses what might have been diffused energy to pack a mighty wallop. Her words, wise or whimsical, hit home."

(click here to read more of the review)


Review: Mister Murdery
Richard Wattenberg, The Oregonian, October 24, 2003

"The actors, including Darius Pierce, Kerry Silva and Sam Kusnetz, all deal agilely with Karam's nonstop, exuberant word play. Pierce, as the imperious Nurse Silver, and Silva, as the squeaky-sweet Nurse Cherry, tumble through the show almost acrobatically."

(click here to read the full review)


Review: Veronica's Room
Anna Simon, The Portland Mercury, March 27, 2003

"The cast of four... have mastered the material and assume their parts so completely that the audience is at their whim. When they say 'boo,' you'll jump."

(click here to read the full review)


Hungry Mouse Brings Laughs to the Stage
Joseph Gallivan, Portland Tribune, October 6, 2006

"...the Mouse is played wonderfully by Kerry Ryan. She is puckish, comically elastic... Haynes and Ryan have comic chemistry to spare."

(click here to read the full review)


Student-Directed 'Ubu Roi' Shocks, Unbalances With Frantic Energy
Victoria Harris, the Brown Daily Herald, February 21, 2002

"...it was the ensemble players who truly made the show. Their ability to portray a number of different roles in close succession and maintain each character's integrity was impressive, to say the least... Kerry Silva in particular shone as a range of different characters, from a womanizing adolescent crusader to a Russian soldier... Silva preserved a believable balance in each of her characters, seamlessly transferring from part to part."

(click here to read the full review)


Vicki and Igor's Electrifying Adventure
Esmerelda, March 12, 2007

Dear PGE Actors,

I think you were the best actors. Thank you for coming to our school. I learned a lot about safety and electricity. I love plays a lot. More than everything. Except bendy pens. Bendy pens and magical markers.

From,
Esmerelda
Grade 2


Animal Magnetism
Bob Hicks, The Oregonian, December 6, 2006

"...at home in the wild - and the strange."

(click here to read the full review)


Review: Mister Murdery
Toussaint Perrault, The Portland Mercury, October 30, 2003

"The Cardboard Box Theatre's Mister Murdery is ingenious, lovely, and has a psychotic violent streak... Nurse Cherry (Kerry Silva) is the coquette, the heartbreaking darling that always seems last on the killer's hit list. Against a viscera-pink background the players share a dance that is half grace and half brutality."

(click here to read the full review)


Sorting Out Our Obsession With Violence
Bob Hicks, The Oregonian, January 15, 2007

"Vertigo's production sports some good, edgy performances... including Kerry Silva Ryan's as a gutsy mom with a good idea of what's actually important."

(click here to read the full review)


Life on the Fringe
Cam Fuller, The StarPhoenix, August 7, 2002

"Silva's vocal range is particularly impressive. This is a sure bet..."

(click here to read the full review)


If You Give a Mouse a Cookie
Noah, October 6, 2006

Dear cute mouse,

Wot are you do in?

love, Noah. [age 6]


Unscripted Forum Plays For Effect
Margie Boule, The Oregonian, April 3, 2007

"Anonymous Theatre Company and Theatre Vertigo once again produced a theater piece guaranteed to drive actors crazy and amuse the heck out of the paying audience."

(click here to read the full review)